What is a Collaborative Pianist?
A collaborative pianist is someone who works in collaboration with one or more instrumentalists, vocalists, or directors to create a finished, polished musical experience for the listener. It is a discipline which combines piano performance, accompanying, and music pedagogy. Collaborative pianists work with choirs, chamber musicians, or soloists as the primary means of performance. Many collaborative pianists also engage as a vocal coach; topics such as lyric diction, text interpretation, dramatic presentation, audition strategies, and stage presence are covered. Sometimes a collaborative pianist is referred to as an accompanist. However, an accompanist does not generally assume the role of coach; an accompanist’s only role is to play the piano for the soloist or group.
Collaborative Piano & Vocal Coaching Services
Kaarin is sought after for collaborative piano engagements and vocal coaching because of her attention to expressiveness, diction detail, and character development. As a graduate of renowned Westminster Choir College’s Master of Music in Piano Accompanying and Coaching program, Kaarin’s philosophy on vocal coaching centers around lyric diction, text interpretation, dramatic presentation, confidence on the stage, and the elegance of historically informed performance practice.
In vocal coaching sessions, specific attention is paid to articulation and the interpretation of French, German, English, and Italian texts, incorporating both diction and dramatic coaching into the lesson.
Coachings are available in either 45 minute and 60 minute intervals.
Accompanying
Accompanying services (without coaching) for festivals, juries, college auditions, and a host of other scenarios are also available.
College choral groups rehearsals and performances
Church groups at all levels of ability
All County, All State, festivals and competitions (instrumental and vocal)
Community and professional choral groups
Musical theater auditions and productions
Experience
Kaarin's experience as a coach includes a position as a collaborative pianist with the CoOPERAtive program at Westminster Choir College. This intensive program for operatic vocal soloists focuses on operatic style, performance techniques, dramatic presentation, language, diction, and body awareness. Collaborations, coachings, and master classes were held with Eric Weimar (Metropolitan Opera, Lyric Opera of Chicago), Howard Lubin (Juilliard, Oberlin, Cologne Opera), Joan Dornemann (Metropolitan Opera, La Scala, Opera Paris), Susan Ashbaker (Opera Company of Philadelphia), Stephanie Sundine (Sarasota Opera), and Kathleen Kelly (Vienna State Opera, Wolf Trap, Glimmerglass).
Kaarin has almost two decades of experience as a church music director (Presbyterian, Baptist, and Unitarian Universalist) and 26 years of experience as a choral director and general music teacher for public school districts in New Jersey, New York, and North Carolina. She was a co-director of 6 state and national award winning high school choral groups and vocal director/pianist for over 30 full scale public school musical and theatrical productions. Kaarin has written dozens of vocal arrangements for SSA, SATB, TTBB/TTTBBB voices, including scores for the Princeton University-based a cappella rhythm and blues group “Old NasSoul."
Collaborative Piano Repertoire
The following list is only representative of works performed; it is not comprehensive.
Collaborative Piano: German Opera
Berg, Alban; Lulu
Mozart, W.A.; Die Zauberflöte
Strauss, Johann; Die Fledermaus
Strauss, Richard; Arabella, Ariadne auf Naxos
Weber, C.M. von; Der Freischütz
Collaborative Piano: French Opera
Bizet, Georges; Carmen
Donizetti, Gaetano; La fille du regiment
Gounod, Charles; Roméo et Juliette, Faust
Poulenc, Francis; Dialogues des Carmélites
Ravel, Maurice; L’enfant et les sortileges
Collaborative Piano: Italian Opera
Bellini, Vincenzo; I Capuleti e i Montecchi
Mozart, W.A.; Le Nozze di Figaro, Così fan tutte
Puccini, Giacomo; Suor Angelica
Rossini, Gioacchino; Il Barbiere di Siviglia
Verdi, Giuseppe; Don Carlo, La Traviata, Falstaff
Collaborative Piano: English Opera
Britten, Benjamin; A Midsummer Night’s Dream
Jonathan Dove; Flight
Moore, Douglas; The Ballad of Baby Doe
Stravinsky, Igor; The Rake’s Progress
Walton, William; Troilus and Cressida
Major Choral Works (conducted, sung, or accompanied)
Barber, S.; Prayers of Kierkegaard
Bernstein, L.; Chichester Psalms
Brahms, J.; Nänie (op.82)
Britten, B.; Ceremony of Carols, War Requiem
Bruckner, A.; Te Deum
Cherubini, L.; Requiem in C Minor
Fauré, G.; Requiem, Cantique de Jean Racine
Handel, G.F.; Messiah
Mahler, G.; Symphony No. 3
Mendelssohn, F.; Elijah
Mozart, W.A.; Mass in C minor (KV427), Davide Penitente (KV469)
Stravinsky, I; Symphony of Psalms
Rossini, G.; Petite Messe Solennelle
Verdi, G.; Requiem, Nabucco
Theatre Productions (conducted or accompanied)
‘Annie’ by Thomas Meehan
‘Cabaret’ by John Kander
‘Fiddler on the Roof’ by Joseph Stein
‘Give My Regards to Broadway’ by G. M. Cohen
‘Godspell’ by John-Michael Tebelak
‘Grease’ by Jim Jacobs and Warren Casey
‘Joseph and the Amazing Technicolor Dreamcoat’ by Tim Rice
‘Little Shop of Horrors’ by Howard Ashman
‘Oklahoma’ by O. Hammerstein II and R. Rodgers
‘Peter Pan’ by J. M. Barrie and Libby Hamilton
‘Pirates of Penzance’ by W.S. Gilbert and A. Sullivan
‘Runaways’ by Elizabeth Swados
‘Shrek The Musical’ by David Lyndsay-Abaire
‘The Secret Garden’ by Marsha Norman
‘The Who’s Tommy’ by Des McAnuff and Pete Townshend
‘Wicked’ by Stephen Schwartz
‘Wizard of Oz’ by Weber, Arlen, and Stohart
Zémire et Azor, an opéra comique in 4 acts by A. Grétry
Art Song/Oratorios
Bach, J.S.; Magnificat, B Minor Mass
Debussy, C.; Ariette oubliées
Fauré, G.; La Bonne Chanson
Handel, G.F.; Messiah, Semele
Korngold, E.; Abschiedslieder
Rodrigo, J.; Cuatro Madrigales Amatorios
Schubert, F.; Die Schöne Müllerin, Winterreise
Schumann, R.; Frauenliebe und –leben, Dichterliebe, Liederkreis
Strauss, R.; Brentanolieder